[{"data":1,"prerenderedAt":1529},["ShallowReactive",2],{"works-index":3},[4,47,118,156,224,285,318,376,462,547,640,713,753,825,907,949,999,1054,1110,1153,1217,1249,1309,1357,1404,1455,1480,1503],{"id":5,"title":6,"body":7,"collaborators":27,"description":28,"extension":29,"img":30,"meta":31,"navigation":32,"path":33,"roles":27,"seo":34,"stem":35,"tags":36,"type":44,"url":27,"year":45,"__hash__":46},"works\u002Fworks\u002Fknock-on-wood.md","Knock on Wood",{"type":8,"value":9,"toc":23},"minimark",[10,14,17,20],[11,12,13],"p",{},"Three wooden objects respond to visitors. Approaching an object brings up memories of childhood. Knocking on it brings up what humans make from wood – musical instruments and artworks: each knock plays a guitar note, and a painting\u002Fdrawing appears on the object. The three objects are tuned to form a chord. After a knock, the object ignores the approaching hand until its note has faded.",[11,15,16],{},"A single projector above the objects maps their top surfaces: a photograph of the wood beneath at rest, white light as a hand approaches, and the artwork after a knock.",[11,18,19],{},"Each object carries a balsa panel with a capacitive proximity pad and a piezo pickup underneath. One ESP32-S3 per object measures proximity continuously, detects knocks and their intensity, and sends both via Bluetooth LE to a laptop running Max\u002FMSP. Max\u002FMSP runs a state machine per object (rest, approach, answer), plays the sound through a stereo system in the room and drives the projection in MadMapper via OSC. Because all three objects share one stereo image, knock-to-note latency is kept under 60 ms – the immediate response is what ties a note to the object that was knocked.",[11,21,22],{},"It was exhibited from 24.–27. September 2026 at KIND A ZIMMA in Klagenfurt, Austria.",{"title":24,"searchDepth":25,"depth":25,"links":26},"",2,[],null,"Interactive sound and projection installation with three wooden objects that answer a knock","md","\u002Fworks\u002Fmedia\u002Fknock-on-wood.jpg",{},true,"\u002Fworks\u002Fknock-on-wood",{"title":6,"description":28},"works\u002Fknock-on-wood",[37,38,39,40,41,42,43],"sound installation","interactive","projection mapping","composition","ESP32","Max\u002FMSP","MadMapper","art project",2026,"PRxE58itn0LiuJnyWo_sR1KWqfBjtwAYFnsYg_M8u3Y",{"id":48,"title":49,"body":50,"collaborators":27,"description":106,"extension":29,"img":107,"meta":108,"navigation":32,"path":109,"roles":27,"seo":110,"stem":111,"tags":112,"type":115,"url":27,"year":116,"__hash__":117},"works\u002Fworks\u002Fdeep-empty-wide-open.md","Deep Empty - Wide Open",{"type":8,"value":51,"toc":104},[52,55,72,75,89],[11,53,54],{},"Collaboration with Valerie Messini.",[11,56,57,58,65,66,71],{},"The installation is based on an idea by Valerie Messini which is outlined ",[59,60,64],"a",{"href":61,"rel":62},"https:\u002F\u002Fwww.researchcatalogue.net\u002Fview\u002F1942520\u002F1942434?c=0",[63],"nofollow","here",". In short, we use Generative Adversarial Networks (i.e., an architecture called ",[59,67,70],{"href":68,"rel":69},"https:\u002F\u002Fjunyanz.github.io\u002FCycleGAN\u002F",[63],"CycleGAN",") to learn a mapping from pictures of humans to pictures of sea horizons in a semi-supervised way. In the live installation, live videos of visitors are then transformed into sea horizon images.",[11,73,74],{},"The resulting images\u002Fvideos are somewhat reminiscent of impressionist paintings, and the installation invites visitors to interactively explore the generative capabilities of the algorithm with facial expressions and gestures.",[76,77,80],"div",{"className":78},[79],"video-container",[81,82],"iframe",{"className":83,"src":85,"title":86,"frameBorder":87,"allow":88,"allowFullScreen":32},[84],"video","https:\u002F\u002Fwww.youtube.com\u002Fembed\u002FsANmhNoloiI?si=ft4-K50rsF2Jaz6j","YouTube video player","0","accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share",[11,90,91,92,97,98,103],{},"Exhibited at ",[59,93,96],{"href":94,"rel":95},"https:\u002F\u002Fwww.artemis-gallery.net\u002F",[63],"Artemis Gallery Lisbon"," in the exhibition ",[59,99,102],{"href":100,"rel":101},"https:\u002F\u002Fwww.artemis-gallery.net\u002Fexhibition\u002Fbeyond-human\u002F",[63],"Beyond Human",".",{"title":24,"searchDepth":25,"depth":25,"links":105},[],"Exhibition","\u002Fworks\u002Fmedia\u002Fdewo.jpg",{},"\u002Fworks\u002Fdeep-empty-wide-open",{"title":49,"description":106},"works\u002Fdeep-empty-wide-open",[113,114],"machine learning","visualization","media art",2024,"BwqQPktKVsrOmiA5yO6lrNztNWAegWVnSqc8LpcRRk4",{"id":119,"title":120,"body":121,"collaborators":27,"description":147,"extension":29,"img":148,"meta":149,"navigation":32,"path":150,"roles":27,"seo":151,"stem":152,"tags":153,"type":44,"url":27,"year":116,"__hash__":155},"works\u002Fworks\u002Fsea-me.md","Sea Me | From The Other Side",{"type":8,"value":122,"toc":145},[123,135,138],[11,124,125,126,128,129,134],{},"As a follow-up to ",[59,127,49],{"href":109},", we realized a video installation as part of the ",[59,130,133],{"href":131,"rel":132},"https:\u002F\u002Fwww.instagram.com\u002Ftheotherisland2024\u002F",[63],"Other Island 3"," collaborative exhibition event in Vienna\u002FAustria. The projection screens were located in the entrance foyer of the exhibition; we showed real sea footage and the what a CycleGAN algorithm trained on facial video recordings of the artists and sea footage generates from the sea videos. In order to point out the cross-domain character of the work, we also added the sound of the sea video recordings as ambience.",[11,136,137],{},"Valerie Messini \u002F Martin Gasser \u002F Stefan Rigger",[76,139,141],{"className":140},[79],[81,142],{"className":143,"src":144,"title":86,"frameBorder":87,"allow":88,"allowFullScreen":32},[84],"https:\u002F\u002Fwww.youtube.com\u002Fembed\u002FTzMFR95wC2Q?si=v_wlb2GGByGET7dM",{"title":24,"searchDepth":25,"depth":25,"links":146},[],"Video","\u002Fworks\u002Fmedia\u002Fsea-me.png",{},"\u002Fworks\u002Fsea-me",{"title":120,"description":147},"works\u002Fsea-me",[113,84,154],"generative","PmjUGKTXxfakE0GT3SoDqbAuPKHUxr6BivyDpnvjU-I",{"id":157,"title":158,"body":159,"collaborators":27,"description":211,"extension":29,"img":212,"meta":213,"navigation":32,"path":214,"roles":27,"seo":215,"stem":216,"tags":217,"type":44,"url":221,"year":222,"__hash__":223},"works\u002Fworks\u002Fbachmann-kuppel-2.md","Ingeborg Bachmann-Kuppel Karlsplatz",{"type":8,"value":160,"toc":209},[161,169,176,185,188],[11,162,163,164,103],{},"For the second public installation at Karlsplatz Vienna, April 21-May 17 2023, the soundtrack was redesigned. It interweaves texts by Ingeborg Bachmann and the Viennese author ",[59,165,168],{"href":166,"rel":167},"http:\u002F\u002Fwww.limbusverlag.at\u002Findex.php\u002Fmeschik-lukas",[63],"Lukas Meschik",[76,170,172],{"className":171},[79],[81,173],{"className":174,"src":175,"title":86,"frameBorder":87,"allow":88,"allowFullScreen":32},[84],"https:\u002F\u002Fwww.youtube.com\u002Fembed\u002F6TDICCnsfzg",[11,177,178,179,184],{},"For the soundtrack, a text collage is spoken by 3 different speakers, and the recordings are spectrally analyzed using an algorithm called Constant-Q transform (CQT). The CQT is carried out with a bin width of one semitone and the results of this spectral analysis can be directly mapped to MIDI control signals for a synthesizer. The duration of the text is approximately 25 minutes, and while the chronological order of the text fragments spoken by different speakers is fixed, the selection of the actual speaker is controlled by a random process, which makes each completion of the text a unique experience. This approach was partially inspired by Peter Ablinger's ",[59,180,183],{"href":181,"rel":182},"https:\u002F\u002Fablinger.mur.at\u002Fspeaking_piano.html",[63],"Speaking Piano"," and spectral composition in general, and it points out the musical qualities of language and speech.",[11,186,187],{},"Team:",[189,190,191,199,206],"ul",{},[192,193,194],"li",{},[59,195,198],{"href":196,"rel":197},"http:\u002F\u002Fwww.guerino.at\u002F",[63],"Armin Guerino",[192,200,201],{},[59,202,205],{"href":203,"rel":204},"https:\u002F\u002Fwww.gerhardfresacher.com\u002F",[63],"Gerhard Fresacher",[192,207,208],{},"Anna Valentina Ennemoser",{"title":24,"searchDepth":25,"depth":25,"links":210},[],"Sound","\u002Fworks\u002Fmedia\u002Fbachmann-kuppel-2.jpg",{},"\u002Fworks\u002Fbachmann-kuppel-2",{"title":158,"description":211},"works\u002Fbachmann-kuppel-2",[37,218,219,220,40],"voice recording","SuperCollider","live performance","https:\u002F\u002Fbachmann-kuppel.at\u002F",2023,"6T7DYDfdR4JTKZHcA3KWHwE65encXefboBLWkD4f9bE",{"id":225,"title":226,"body":227,"collaborators":27,"description":276,"extension":29,"img":277,"meta":278,"navigation":32,"path":279,"roles":27,"seo":280,"stem":281,"tags":282,"type":44,"url":27,"year":222,"__hash__":284},"works\u002Fworks\u002Fbrick-by-brick.md","Brick by Brick",{"type":8,"value":228,"toc":274},[229,232,239,242,249,263,266],[11,230,231],{},"What are the limits of our endurance? This existential question arises within a social and a political context. The installation 'Brick by Brick' delves into the intricate web of seemingly insurmountable constraints and societal expectations to which we find ourselves subjected in our everyday existence.",[76,233,235],{"className":234},[79],[81,236],{"className":237,"src":238,"title":86,"frameBorder":87,"allow":88,"allowFullScreen":32},[84],"https:\u002F\u002Fwww.youtube.com\u002Fembed\u002Fcd3l2zjyF8g?si=7rrtAw4W5pej3LqZ",[11,240,241],{},"Symbolically, a stack of bricks serves as a metaphor for these burdens, inviting the audience to intermittently engage with a sledgehammer, fostering a moment of profound release that coincides with an encompassing infusion of illuminative visual stimuli and resonant auditory experiences. Thereby, each hit of the hammer triggers a section of a six-part soundscape composition.",[81,243],{"width":244,"height":245,"scrolling":246,"frameBorder":246,"allow":247,"src":248},"100%",166,"no","autoplay","https:\u002F\u002Fw.soundcloud.com\u002Fplayer\u002F?url=https%3A\u002F\u002Fapi.soundcloud.com\u002Ftracks\u002F1634021337&color=%23ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true",[76,250,252,258,259],{"style":251},"font-size: 10px; color: #cccccc;line-break: anywhere;word-break: normal;overflow: hidden;white-space: nowrap;text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif;font-weight: 100;",[59,253,255],{"href":254,"title":255,"target":256,"style":257},"https:\u002F\u002Fsoundcloud.com\u002Fmartin-alley","Martin Alley","_blank","color: #cccccc; text-decoration: none;"," · ",[59,260,262],{"href":261,"title":262,"target":256,"style":257},"https:\u002F\u002Fsoundcloud.com\u002Fmartin-alley\u002Fbrick-by-brick","Brick By Brick",[11,264,265],{},"For the technical realization, a piezo pickup glued to a massive wooden plate, with the bricks stacked on top of it is used to detect the hammer hits. The piezo is connected to a ESP32 microcontroller with a Bluetooth LE connection to a laptop running Max\u002FMSP and Ableton Live. Max\u002FMSP takes care of receiving the trigger signals via BLE. The parts of the composition are laid out in Ableton Live as scenes that can be triggered via MIDI by the Max\u002FMSP patch. The Max\u002FMSP patch also controls DMX lighting. A 2x 500W audio system plus subwoofer is used to render the soundscape.",[11,267,268,269,103],{},"It was exhibited from 28.-30. September 2023 at ",[59,270,273],{"href":271,"rel":272},"https:\u002F\u002Fwww.dark-city.at\u002Fother-island\u002F",[63],"Other Island",{"title":24,"searchDepth":25,"depth":25,"links":275},[],"Sound\u002FPerformance","\u002Fworks\u002Fmedia\u002Fbrick-by-brick.png",{},"\u002Fworks\u002Fbrick-by-brick",{"title":226,"description":276},"works\u002Fbrick-by-brick",[37,283,40],"performance","tPjSw-TCH1_vLvqE4yu7nCu8-jH0iCR6XxJowFu76PQ",{"id":286,"title":287,"body":288,"collaborators":27,"description":276,"extension":29,"img":308,"meta":309,"navigation":32,"path":310,"roles":27,"seo":311,"stem":312,"tags":313,"type":44,"url":27,"year":222,"__hash__":317},"works\u002Fworks\u002Fdont-touch-me.md","Don't Touch Me",{"type":8,"value":289,"toc":306},[290,293,296,303],[11,291,292],{},"Humans are curious creatures by nature, always drawn toward the mysterious and the unknown. This attraction has been a subject of fascination through the ages, shaping our interactions and our understanding of the world around us.",[11,294,295],{},"Don't Touch Me stands as a reflection on the human condition, it captures a universal human experience - the balance between curiosity and self-preservation. It invites the audience to challenge the invisible forces that govern our interactions with the unknown, using the interplay of proximity and distance to evoke an understanding of our attraction to the unfamiliar and the potential consequences of coming too close.",[76,297,299],{"className":298},[79],[81,300],{"className":301,"src":302,"title":86,"frameBorder":87,"allow":88,"allowFullScreen":32},[84],"https:\u002F\u002Fwww.youtube.com\u002Fembed\u002F5NoqreFytJM?si=-C04t_kOXzgB3pKc",[11,304,305],{},"The installation uses an Intel Realsense depth camera to detect the position of the visitor in space. Then it generates a soundscape based on the proximity of the visitor and it also creates live visuals based on the depth image.",{"title":24,"searchDepth":25,"depth":25,"links":307},[],"\u002Fworks\u002Fmedia\u002Fdont-touch-me.png",{},"\u002Fworks\u002Fdont-touch-me",{"title":287,"description":276},"works\u002Fdont-touch-me",[113,314,315,316],"computer vision","facial expression recognition","microbiology","t6y4L-_MWk1QpTOgM4FwBNv2th8RegzsPbLaAgBq1_Y",{"id":319,"title":320,"body":321,"collaborators":27,"description":106,"extension":29,"img":367,"meta":368,"navigation":32,"path":369,"roles":27,"seo":370,"stem":371,"tags":372,"type":373,"url":27,"year":374,"__hash__":375},"works\u002Fworks\u002Fdegrees-of-life.md","Degrees of Life",{"type":8,"value":322,"toc":365},[323,326,329,336,339],[11,324,325],{},"Degrees of Life - presented at University of Applied Arts - Zentrum Fokus Forschung, in 2022.",[11,327,328],{},"The exhibition is part of research called \" Cocorporeality\" funded by the Austrian Science Fund (FWF): FW AR534 in the program of Art-Based Research (PEEK).",[76,330,332],{"className":331},[79],[81,333],{"className":334,"src":335,"title":86,"frameBorder":87,"allow":88,"allowFullScreen":32},[84],"https:\u002F\u002Fwww.youtube.com\u002Fembed\u002FRfw4P_Lt5OY?si=j_V6cFWWk0N4yJ-S",[11,337,338],{},"Collaborators:",[189,340,341,344,347,350,353,356,359,362],{},[192,342,343],{},"Damjan Minovski",[192,345,346],{},"Robert Trappl",[192,348,349],{},"Alexander Bismarck",[192,351,352],{},"Neptun Yousefi",[192,354,355],{},"David Berry",[192,357,358],{},"Andi Heberlein",[192,360,361],{},"Heribert Insam",[192,363,364],{},"Judith Ascher-Jenull",{"title":24,"searchDepth":25,"depth":25,"links":366},[],"\u002Fworks\u002Fmedia\u002Fdegrees-of-life.jpg",{},"\u002Fworks\u002Fdegrees-of-life",{"title":320,"description":106},"works\u002Fdegrees-of-life",[113,314,315,316],"artistic research",2022,"lb3W7xn76rRtSYzhVZme8hBdwpMTfNCM7nlpJeRqhzE",{"id":377,"title":378,"body":379,"collaborators":27,"description":450,"extension":29,"img":451,"meta":452,"navigation":32,"path":453,"roles":27,"seo":454,"stem":455,"tags":456,"type":44,"url":27,"year":374,"__hash__":461},"works\u002Fworks\u002Fspin-wave-voices.md","Spin-Wave Voices",{"type":8,"value":380,"toc":446},[381,384,392,399,403,410,416,422,428,434,440],[11,382,383],{},"We are in a search of alternative ways of living, more efficient, less energy consuming ways. But some of the modern technologies are so small and fast that they are already out of the range of our perception. The future will bring something even more sophisticated. Did you ever try to imagine how all those gigabytes and billions of gigabytes of information are processed and transferred around the world so quickly? Researchers are already working on alternative, faster, more efficient way of doing that as well. With this exhibit we did our best to bring you closer to the possible future of computational technologies.",[76,385,387],{"className":386},[79],[81,388],{"className":389,"src":390,"title":86,"frameBorder":87,"allow":391,"allowFullScreen":32},[84],"https:\u002F\u002Fwww.youtube.com\u002Fembed\u002FQGWoRnfgXfI","accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture",[76,393,395],{"className":394},[79],[81,396],{"className":397,"src":398,"title":86,"frameBorder":87,"allow":391,"allowFullScreen":32},[84],"https:\u002F\u002Fwww.youtube.com\u002Fembed\u002FDVGgFnQUK1g",[400,401,187],"h3",{"id":402},"team",[11,404,405,409],{},[406,407,408],"strong",{},"Project lead",": Santa Pile (Institute of Semiconductor and Solid State Physics JKU Linz)",[11,411,412,415],{},[406,413,414],{},"Artistic lead",": Martin Gasser (University of Applied Arts Vienna)",[11,417,418,421],{},[406,419,420],{},"Visualisation",": Santa Pile, Christina Humer (Institute of Computer Graphics JKU Linz)",[11,423,424,427],{},[406,425,426],{},"Sonification",": Martin Gasser, Silvan David Peter (Institute of Computational Perception JKU Linz)",[11,429,430,433],{},[406,431,432],{},"Micromagnetic simulations",": Santa Pile",[11,435,436,439],{},[406,437,438],{},"Video production",": Santa Pile, Oleg Lesota (Institute of Computational Perception JKU)",[11,441,442,445],{},[406,443,444],{},"Consult\u002Fhelp at the exhibition",": Andreas Ney (Institute of Semiconductor and Solid State Physics JKU Linz), Verena Ney (Institute of Semiconductor and Solid State Physics JKU Linz), Marc Streit (Institute of Computer Graphics JKU Linz)",{"title":24,"searchDepth":25,"depth":25,"links":447},[448],{"id":402,"depth":449,"text":187},3,"Interactive visualization and sonification of simulation data","\u002Fworks\u002Fmedia\u002Fcyces.png",{},"\u002Fworks\u002Fspin-wave-voices",{"title":378,"description":450},"works\u002Fspin-wave-voices",[114,457,458,459,460],"sonification","simulation","physics","art","AdV3cdENKZQDXJhZkGchgD1VEk39Kylc6UDdxFwe5Jc",{"id":463,"title":464,"body":465,"collaborators":27,"description":211,"extension":29,"img":539,"meta":540,"navigation":32,"path":541,"roles":27,"seo":542,"stem":543,"tags":544,"type":44,"url":221,"year":545,"__hash__":546},"works\u002Fworks\u002Fbachmann-kuppel.md","Ingeborg Bachmann-Kuppel",{"type":8,"value":466,"toc":537},[467,470,479,482,485,494,503,506],[11,468,469],{},"For Armin Guerino's and Gerhard Fresacher's dome installation, I developed a generative sound work that brings texts by the Austrian authors Ingeborg Bachmann and Gert Jonke into context with each other. The sound installation is inspired by Bachmann's frequent use of the topic transientness and Jonke's concept of Language as Music.",[76,471,473],{"className":472},[79],[81,474],{"className":475,"src":476,"frameBorder":87,"allow":477,"allowFullScreen":32,"style":478,"title":464},[84],"https:\u002F\u002Fplayer.vimeo.com\u002Fvideo\u002F608485662?h=7ec8e342be&badge=0&autopause=0&player_id=0&app_id=58479","autoplay; fullscreen; picture-in-picture","position:absolute;top:0;left:0;width:100%;height:100%;",[11,480,481],{},"The permanent sound installation oscillates between a grain cloud generated from recordings of Bachmann texts and a random selection of concrete Bachmann and Jonke texts, creating a virtual conversation between the two authors. Each text is accompanied by a piano part that is generated by analyzing the speech signal and triggering piano tones by the fundamental frequencies of the human voice, thereby removing the actual meaning of the words and leaving only the musical aspect of the spoken text.",[11,483,484],{},"The software was implemented in SuperCollider and it runs on a Raspberry Pi computer.",[11,486,487,488,493],{},"For the opening ceremony of the dome installation, I composed music inspired by the texts, which was performed live by the pianist ",[59,489,492],{"href":490,"rel":491},"https:\u002F\u002Fwww.anatijssen.at\u002F",[63],"Ana Tijssen"," and myself.",[11,495,496,497,502],{},"See this ",[59,498,501],{"href":499,"rel":500},"https:\u002F\u002Fkaernten.orf.at\u002Fstories\u002F3121955\u002F?fbclid=IwAR1ftTySgrCQUJ_d4ib7a1xWQSYSDk1nrFuLx05ddt0QlSgKn0wpzD_Kubg",[63],"ORF"," report.",[11,504,505],{},"collaborators:",[189,507,508,513,518,525,532],{},[192,509,510],{},[59,511,198],{"href":196,"rel":512},[63],[192,514,515],{},[59,516,205],{"href":203,"rel":517},[63],[192,519,520],{},[59,521,524],{"href":522,"rel":523},"https:\u002F\u002Fde.wikipedia.org\u002Fwiki\u002FAnne_Bennent",[63],"Anne Bennent",[192,526,527],{},[59,528,531],{"href":529,"rel":530},"https:\u002F\u002Fwww.imdb.com\u002Fname\u002Fnm0919406\u002F",[63],"Heinz Weixelbraun",[192,533,534],{},[59,535,492],{"href":490,"rel":536},[63],{"title":24,"searchDepth":25,"depth":25,"links":538},[],"\u002Fworks\u002Fmedia\u002Fbachmann-kuppel.jpg",{},"\u002Fworks\u002Fbachmann-kuppel",{"title":464,"description":211},"works\u002Fbachmann-kuppel",[37,218,219,220,40],2021,"5VmoLppoNDCJrudzK6wH12kybLUJxOBOzeTgXnkoDcY",{"id":548,"title":549,"body":550,"collaborators":27,"description":631,"extension":29,"img":632,"meta":633,"navigation":32,"path":634,"roles":27,"seo":635,"stem":636,"tags":637,"type":638,"url":27,"year":545,"__hash__":639},"works\u002Fworks\u002Fco-corporeality-2.md","Co-Corporeality@Angewandte Festival 2021",{"type":8,"value":551,"toc":629},[552,585,594,602,604],[11,553,554,555,560,561,566,567,572,573,578,579,584],{},"For the ",[59,556,559],{"href":557,"rel":558},"https:\u002F\u002Fcocorporeality.net\u002F",[63],"Co-Corporeality"," artistic research project, we have developed a mobile eye tracking solution. It consists of a ",[59,562,565],{"href":563,"rel":564},"https:\u002F\u002Fpupil-labs.com\u002F",[63],"Pupil Labs"," eye camera, an ",[59,568,571],{"href":569,"rel":570},"https:\u002F\u002Fwww.intelrealsense.com\u002Ftracking-camera-t265\u002F",[63],"Intel Realsense T265"," tracking camera, and an ",[59,574,577],{"href":575,"rel":576},"https:\u002F\u002Fwww.intelrealsense.com\u002Fdepth-camera-d435\u002F",[63],"Intel Realsense D435"," world camera, mounted on a bike helmet. A ",[59,580,583],{"href":581,"rel":582},"https:\u002F\u002Fwww.raspberrypi.org\u002Fproducts\u002Fraspberry-pi-4-model-b\u002F",[63],"Raspberry Pi 4"," is used to compress and transmit the image data over Ethernet to another computer where a combination of the Pupil Labs software and custom software components is used to determine the exact position and gaze direction of a viewer in space. This information can be subsequently used to detect which objects a person currently looks at.",[11,586,587,588,593],{},"Watch our presentation video which has been shown at ",[59,589,592],{"href":590,"rel":591},"https:\u002F\u002Fangewandtefestival.at\u002F",[63],"Angewandte Festival 2021",":",[76,595,597,598],{"className":596},[79],"\n    ",[81,599],{"src":600,"className":601,"frameBorder":87,"allow":477,"allowFullScreen":32},"https:\u002F\u002Fplayer.vimeo.com\u002Fvideo\u002F570870192",[84],[11,603,338],{},[189,605,606,613,620,626],{},[192,607,608],{},[59,609,612],{"href":610,"rel":611},"https:\u002F\u002Fspacearchitect.org\u002Fbarbara-imhof\u002F",[63],"Barbara Imhof",[192,614,615],{},[59,616,619],{"href":617,"rel":618},"https:\u002F\u002Fmaeid.com\u002F",[63],"Daniela Mitterberger",[192,621,622],{},[59,623,625],{"href":617,"rel":624},[63],"Tiziano Derme",[192,627,628],{},"Patricia Tibu",{"title":24,"searchDepth":25,"depth":25,"links":630},[],"Artistic Research Project","\u002Fworks\u002Fmedia\u002Feyetracking.png",{},"\u002Fworks\u002Fco-corporeality-2",{"title":549,"description":631},"works\u002Fco-corporeality-2",[113,314,315],"research project","BlGIRZWfelOf4xMX41SlG82TwDxGG7c7lRa6RSPy_-0",{"id":641,"title":642,"body":643,"collaborators":27,"description":703,"extension":29,"img":704,"meta":705,"navigation":32,"path":706,"roles":27,"seo":707,"stem":708,"tags":709,"type":44,"url":27,"year":545,"__hash__":712},"works\u002Fworks\u002Fmagicqueen.md","Magic Queen",{"type":8,"value":644,"toc":701},[645,648,655,663,665],[11,646,647],{},"Magic Queen is a hybrid environment incorporating and fusing biological systems with organic materials and machines, creating an ecosystem of empathy and coexistence. It explores the relationship among natural elements, technology, and living systems favoring the creation of an ecology of non-human subjects. It is a built habitat that can restore and nurture itself, redefining the role of living systems in architecture.It is a performative 3D-printed soil robotic garden. Sensors respond and machine learning creates continuous feedback among sensing, virtualizing, and induced change. Its inhabitable space combines visual, auditory, olfactory, and haptic features to capture the sensual experience of this new, mediated form of nature. Nothing in it could exist without the presence of the other: interconnectivity in biological entities. Fungal flora and soil structure depend on the robot to nurture them; the robot relies on their existence to move. The interconnectivity and performativity of all elements generates ambient sound and a visual interface uncovers the otherwise invisible stream of impact and growth.",[76,649,597,651],{"className":650},[79],[81,652],{"src":653,"className":654,"title":86,"frameBorder":87,"allow":391,"allowFullScreen":32},"https:\u002F\u002Fwww.youtube.com\u002Fembed\u002FxQReQhF4Gvc",[84],[11,656,657,658,103],{},"It was exhibited at the ",[59,659,662],{"href":660,"rel":661},"https:\u002F\u002Fwww.labiennale.org\u002Fen\u002Farchitecture\u002F2021\u002Famong-diverse-beings\u002Fmaeid-b%C3%BCro-f%C3%BCr-architektur-und-transmediale-kunst",[63],"Biennale Architettura 2021",[11,664,338],{},[189,666,667,673,680,687,694],{},[192,668,669],{},[59,670,672],{"href":617,"rel":671},[63],"MAEID",[192,674,675],{},[59,676,679],{"href":677,"rel":678},"https:\u002F\u002Fmedienmanufaktur.com\u002Fmusikerinnen\u002Flukaslauermann-2\u002F",[63],"Lukas Lauermann",[192,681,682],{},[59,683,686],{"href":684,"rel":685},"https:\u002F\u002Fandreareni.com\u002F",[63],"Andrea Reni",[192,688,689],{},[59,690,693],{"href":691,"rel":692},"https:\u002F\u002Fwww.lorem.parts",[63],"Francesco D'Abbraccio",[192,695,696],{},[59,697,700],{"href":698,"rel":699},"https:\u002F\u002Fwww.lucapagan.info\u002F",[63],"Luca Pagan",{"title":24,"searchDepth":25,"depth":25,"links":702},[],"Installation","\u002Fworks\u002Fmedia\u002Fmagicqueen.jpg",{},"\u002Fworks\u002Fmagicqueen",{"title":642,"description":703},"works\u002Fmagicqueen",[460,710,711,314],"music","robotics","UtMM4ReP6kKci6rs63h5JIL9HS3rpQDZTFWxABAexC4",{"id":714,"title":715,"body":716,"collaborators":27,"description":743,"extension":29,"img":744,"meta":745,"navigation":32,"path":746,"roles":27,"seo":747,"stem":748,"tags":749,"type":44,"url":27,"year":545,"__hash__":752},"works\u002Fworks\u002Fsoundtrek.md","Soundtrek",{"type":8,"value":717,"toc":741},[718,721,728,730],[11,719,720],{},"The interactive installation Soundtrek provides an alternative acoustic reality for the urban walks of Klangmanifeste 2021. Just go to the Soundtrek page of the Klangmanifeste website on your smartphone, plug your earbuds in, and there we go: A generative sound composition that adapts to your surroundings. Big roads sound different than quiet side streets. Parks have a different sonic atmosphere than crowded market places. Soundtrek translates the changing moods of different urban places into music. The web based sound installation uses your geoposition to dynamically adapt to your environment. An invitation to experience a walk trought the neighbourhood in a completely new way. Augmented reality for your ears. And who knows, perhaps you will even discover some hidden acoustic easter eggs ;-).",[76,722,597,724],{"className":723},[79],[81,725],{"src":726,"className":727,"frameBorder":87,"allow":477,"allowFullScreen":32},"https:\u002F\u002Fplayer.vimeo.com\u002Fvideo\u002F537454593",[84],[11,729,338],{},[189,731,732],{},[192,733,734,735,740],{},"Patricia Enigl, Michael Speer (",[59,736,739],{"href":737,"rel":738},"https:\u002F\u002Fsoundcloud.com\u002Fb1ackunicorn",[63],"Black Unicorn",")",{"title":24,"searchDepth":25,"depth":25,"links":742},[],"Sound walk","\u002Fworks\u002Fmedia\u002Fblackunicorn.jpg",{},"\u002Fworks\u002Fsoundtrek",{"title":715,"description":743},"works\u002Fsoundtrek",[460,710,750,38,751],"soundscape","mobile app","xqVx_BvJEbS_vrJ73uYxIP14jbIXP1Y-LnA8bDUkN4s",{"id":754,"title":755,"body":756,"collaborators":27,"description":814,"extension":29,"img":815,"meta":816,"navigation":32,"path":817,"roles":27,"seo":818,"stem":819,"tags":820,"type":44,"url":27,"year":545,"__hash__":824},"works\u002Fworks\u002Fsylva.md","Sylva",{"type":8,"value":757,"toc":812},[758,789,796,805],[11,759,554,760,765,766,769,770,769,773,769,778,783,784,103],{},[59,761,764],{"href":762,"rel":763},"https:\u002F\u002Fwww.fpa.es\u002Fen\u002Fprincess-of-asturias-awards\u002F",[63],"2021 Princess of Asturias Awards",", I collaborated with the Viennese Design Studio ",[59,767,672],{"href":617,"rel":768},[63],", ",[59,771,686],{"href":684,"rel":772},[63],[59,774,777],{"href":775,"rel":776},"http:\u002F\u002Fwww.lorem.parts\u002F",[63],"Lorem",[59,779,782],{"href":780,"rel":781},"https:\u002F\u002Fglobal.abb\u002Fgroup\u002Fen",[63],"ABB",", and ",[59,785,788],{"href":786,"rel":787},"https:\u002F\u002Fcamfed.org\u002Feur\u002F",[63],"CAMFED",[11,790,791,792,795],{},"We built a robotic gardener that nurtured a landscape with grass seeds and water. The nurturing system was mounted on two industry robots and controlled by an AI-based computer vision system, and its actions were also influenced by data that was collected by ",[59,793,788],{"href":786,"rel":794},[63]," over the last 15 years.",[11,797,798,799,804],{},"See ",[59,800,803],{"href":801,"rel":802},"https:\u002F\u002Fnew.abb.com\u002Fproducts\u002Frobotics\u002Fes\u002Fevents\u002Fprincesa-de-asturias",[63],"this article"," and the video below for more information.",[76,806,808],{"className":807},[79],[81,809],{"className":810,"src":811,"title":86,"frameBorder":87,"allow":391,"allowFullScreen":32},[84],"https:\u002F\u002Fwww.youtube.com\u002Fembed\u002FcrmoHesbwL0",{"title":24,"searchDepth":25,"depth":25,"links":813},[],"A computer-controlled gardener","\u002Fworks\u002Fmedia\u002Fsylva.jpg",{},"\u002Fworks\u002Fsylva",{"title":755,"description":814},"works\u002Fsylva",[821,314,113,822,711,460,823],"software development","python","raspberrypi","effPp_hwug2q8U2WU6xPwgGgHI0MaVL8opPWxlOHpPc",{"id":826,"title":827,"body":828,"collaborators":27,"description":894,"extension":29,"img":895,"meta":896,"navigation":32,"path":897,"roles":27,"seo":898,"stem":899,"tags":900,"type":44,"url":27,"year":905,"__hash__":906},"works\u002Fworks\u002Fcross-perception.md","Cross perception",{"type":8,"value":829,"toc":892},[830,833,836,843,846,854,856],[11,831,832],{},"The human perceptual apparatus looks for simple explanations for sensory impressions. Which explanation is used for given sensory impressions depends not only on the experiences but also on the expectations of the person. In an immersive video work we create an interplay between the machine and human perception. \"Cross Perception\" aims to raise the question of how experiences and expectations shape our perception and which perspectives dominate, blur or disappear in this interplay.",[11,834,835],{},"The visual Part is formed by photogrammetry using a smartphone. 3D objects, their mesh structure and textures are faulty and are the basis for the visual structure in Unity. An artificial neural network for object recognition processes the 3d objects and calculates probabilities for the presence of a given set of object classes for each point in time and each image section. If an object is detected over a certain period of time, a sound is played from the direction of the corresponding image section, which is related to the detected object. For the auditory composition, granular synthesis and spectral freezes were used to create a space. The object recognition was translated into Midi Note On\u002FOff commands and imported into Ableton Live to trigger samplers with corresponding sounds. The positions of the sound sources were calculated directly from the camera coordinates and the viewing direction.",[76,837,597,839],{"className":838},[79],[81,840],{"className":841,"src":842,"title":86,"frameBorder":87,"allow":88,"allowFullScreen":32},[84],"https:\u002F\u002Fwww.youtube.com\u002Fembed\u002Fqkgteg1v610",[11,844,845],{},"The project is part of TRANSFORM, a collaborative project between Angewandte, Johannes Kepler University, and Donau University Krems, funded by the Austrian Federal Ministry of Education, Science and Research. With the involvement of Kathrin Hunze, Thomas Hack; Silvan David Peter, Jan Schlüter (Institute for Computational Perception, JKU Linz) and Christine Böhler, Martin Gasser (Department Cross-Disciplinary Strategies, Angewandte Vienna).",[11,847,848,849,103],{},"The work was shown at ",[59,850,853],{"href":851,"rel":852},"https:\u002F\u002Fars.electronica.art\u002Fkeplersgardens\u002Fen\u002Fcross-perception-work\u002F",[63],"Ars Electronica 2020",[11,855,505],{},[189,857,858,865,871,878,885],{},[192,859,860],{},[59,861,864],{"href":862,"rel":863},"https:\u002F\u002Fraumperspektive.com\u002F",[63],"Kathrin Hunze",[192,866,867],{},[59,868,870],{"href":862,"rel":869},[63],"Thomas Hack",[192,872,873],{},[59,874,877],{"href":875,"rel":876},"https:\u002F\u002Fwww.jku.at\u002Fen\u002Finstitute-of-computational-perception\u002Fabout-us\u002Fpeople\u002Fsilvan-david-peter\u002F",[63],"Silvan David Peter",[192,879,880],{},[59,881,884],{"href":882,"rel":883},"https:\u002F\u002Fwww.jku.at\u002Fen\u002Finstitute-of-computational-perception\u002Fabout-us\u002Fpeople\u002Fjan-schlueter\u002F",[63],"Jan Schlüter",[192,886,887],{},[59,888,891],{"href":889,"rel":890},"https:\u002F\u002Fwww.dieangewandte.at\u002Fjart\u002Fprj3\u002Fangewandte-2016\u002Fmain.jart?rel=de&content-id=1458930944469&Pe-Id=7479",[63],"Christine Böhler",{"title":24,"searchDepth":25,"depth":25,"links":893},[],"Immersive audio-visual experiment for Ars Electronica 2020","\u002Fworks\u002Fmedia\u002Fcross-perception.png",{},"\u002Fworks\u002Fcross-perception",{"title":827,"description":894},"works\u002Fcross-perception",[113,314,901,902,903,904,42],"sound","fulldome","Ambisonics","Ableton Live",2020,"lyofPWssQPBgpVpk70tXIDUs0bb85Za3gh7UN1afnb4",{"id":908,"title":909,"body":910,"collaborators":27,"description":934,"extension":29,"img":935,"meta":936,"navigation":32,"path":937,"roles":27,"seo":938,"stem":939,"tags":940,"type":945,"url":946,"year":947,"__hash__":948},"works\u002Fworks\u002Famadeus.md","Amadeus Active Acoustics",{"type":8,"value":911,"toc":932},[912,915,917],[11,913,914],{},"With Amadeus Acoustics, I developed highly optimized C++-based Max\u002FMSP externals (interpolating delay matrix, eq, compressor) for a low-latency multi-channel live spatialization system running on commodity PC hardware. Furthermore, I conceptualized and implemented a web-based remote control surface for the system.",[11,916,505],{},[189,918,919,922,929],{},[192,920,921],{},"Thomas Mayr",[192,923,924],{},[59,925,928],{"href":926,"rel":927},"http:\u002F\u002Fwww.fabiokaiser.eu\u002F",[63],"Fabio Kaiser",[192,930,931],{},"Volker Werner",{"title":24,"searchDepth":25,"depth":25,"links":933},[],"Development of Max\u002FMSP externals for a spatialization system","\u002Fworks\u002Fmedia\u002Famadeus.png",{},"\u002Fworks\u002Famadeus",{"title":909,"description":934},"works\u002Famadeus",[821,941,42,942,901,943,944],"C++","spatialization","JavaScript","effect","development project","https:\u002F\u002Fwww.amadeusacoustics.com\u002F",2019,"I075fgzSs7QwDCrgDULyI8c-qKIv_2bp0oN8Go3opFY",{"id":950,"title":559,"body":951,"collaborators":27,"description":631,"extension":29,"img":991,"meta":992,"navigation":32,"path":993,"roles":27,"seo":994,"stem":995,"tags":996,"type":638,"url":557,"year":947,"__hash__":998},"works\u002Fworks\u002Fco-corporeality.md",{"type":8,"value":952,"toc":989},[953,956,963,965],[11,954,955],{},"Co-Corporeality addresses responsive spaces in the era of biomediality with the aim to establish an interaction between a human and a living material. We are specifically interested in developing a responsive environment within an architectural space that interacts, learns, grows and decays in relation to human presence and behaviour.",[76,957,959],{"className":958},[79],[81,960],{"className":961,"src":962,"title":86,"frameBorder":87,"allow":391,"allowFullScreen":32},[84],"https:\u002F\u002Fwww.youtube.com\u002Fembed\u002FN-ha5MOB66E",[11,964,338],{},[189,966,967,972,977,982,984,986],{},[192,968,969],{},[59,970,612],{"href":610,"rel":971},[63],[192,973,974],{},[59,975,619],{"href":617,"rel":976},[63],[192,978,979],{},[59,980,625],{"href":617,"rel":981},[63],[192,983,343],{},[192,985,352],{},[192,987,988],{},"Kathrin Weiland",{"title":24,"searchDepth":25,"depth":25,"links":990},[],"\u002Fworks\u002Fmedia\u002Fefeeder-coco.jpg",{},"\u002Fworks\u002Fco-corporeality",{"title":559,"description":631},"works\u002Fco-corporeality",[997,113,314,315],"teaching","NIWRwmAEZhDhm6RGJwWcjzNXFCGUVLjCSIxQ_Tx1qCA",{"id":1000,"title":1001,"body":1002,"collaborators":27,"description":1042,"extension":29,"img":1043,"meta":1044,"navigation":32,"path":1045,"roles":27,"seo":1046,"stem":1047,"tags":1048,"type":44,"url":27,"year":1052,"__hash__":1053},"works\u002Fworks\u002Finstant-choir.md","Instant Choir",{"type":8,"value":1003,"toc":1040},[1004,1007,1010,1018,1020],[11,1005,1006],{},"Instant Choir is a participative performance, involving audience members as protagonists who are controlled by a smartphone app. It touches critical issues such as the manipulative power of technology, its effects on interpersonal communication and behavior, and the addictive potential of Social Media and recommender systems.",[11,1008,1009],{},"I developed smartphone apps (Android & iOS) and built a Max\u002FMSP-based system for controlling stage visuals, audio, and smartphone apps from an on-stage iPad.",[76,1011,1013],{"className":1012},[79],[81,1014],{"className":1015,"width":244,"height":1016,"src":1017,"frameBorder":87,"allow":391,"allowFullScreen":32},[84],600,"https:\u002F\u002Fwww.youtube.com\u002Fembed\u002FD0lvkT1ewrc",[11,1019,505],{},[189,1021,1022,1025,1032,1037],{},[192,1023,1024],{},"Mimu Merz",[192,1026,1027],{},[59,1028,1031],{"href":1029,"rel":1030},"http:\u002F\u002Fwww.cquence.at\u002F",[63],"C'quence",[192,1033,1034],{},[59,1035,679],{"href":677,"rel":1036},[63],[192,1038,1039],{},"Markus Zahradnik",{"title":24,"searchDepth":25,"depth":25,"links":1041},[],"Interactive theatre performance","\u002Fworks\u002Fmedia\u002Finstant-choir.jpg",{},"\u002Fworks\u002Finstant-choir",{"title":1001,"description":1042},"works\u002Finstant-choir",[1049,283,460,901,751,1050,1051],"theatre","iOS","Android",2018,"o-lwr9GUCRN4xX8TIa2BW_WjSGv99qUGJrwDwojLt_g",{"id":1055,"title":1056,"body":1057,"collaborators":27,"description":1099,"extension":29,"img":1100,"meta":1101,"navigation":32,"path":1102,"roles":27,"seo":1103,"stem":1104,"tags":1105,"type":945,"url":27,"year":1052,"__hash__":1109},"works\u002Fworks\u002Fmidiq.md","MidiQ",{"type":8,"value":1058,"toc":1097},[1059,1062,1070,1077,1079],[11,1060,1061],{},"MIDI plug-in for chord sequence generation from statistical models.",[76,1063,1065,1066],{"className":1064},[79],"\n  ",[81,1067],{"className":1068,"src":1069,"title":86,"frameBorder":87,"allow":391,"allowFullScreen":32},[84],"https:\u002F\u002Fwww.youtube.com\u002Fembed\u002FvPLxm5Pg_7E",[11,1071,1072],{},[59,1073,1076],{"href":1074,"rel":1075},"https:\u002F\u002Fwww.waproduction.com\u002Fplugins\u002Fview\u002Fmidiq",[63],"W.A. Production MIDIQ",[11,1078,505],{},[189,1080,1081,1088,1091,1094],{},[192,1082,1083],{},[59,1084,1087],{"href":1085,"rel":1086},"http:\u002F\u002Fwww.ehu.eus\u002Fcs-ikerbasque\u002Fconklin\u002F",[63],"Darrell Conklin",[192,1089,1090],{},"Stefan Oertl",[192,1092,1093],{},"Roland Trimmel",[192,1095,1096],{},"Zofia Zin",{"title":24,"searchDepth":25,"depth":25,"links":1098},[],"Midi plug-in","\u002Fworks\u002Fmedia\u002Fmidiq.png",{},"\u002Fworks\u002Fmidiq",{"title":1056,"description":1099},"works\u002Fmidiq",[821,1106,1107,710,944,901,941,1108],"audio plugin","MIDI","JUCE","62Y2pFrmoSlInLhBqmyNSH20YS7tA5BPcaXHBVf2lK4",{"id":1111,"title":1112,"body":1113,"collaborators":27,"description":1144,"extension":29,"img":1145,"meta":1146,"navigation":32,"path":1147,"roles":27,"seo":1148,"stem":1149,"tags":1150,"type":945,"url":1151,"year":1052,"__hash__":1152},"works\u002Fworks\u002Fvenom.md","Venom",{"type":8,"value":1114,"toc":1142},[1115,1118,1125,1127],[11,1116,1117],{},"Conceptualization and implementation of a plug-in for spectral processing of audio data.",[76,1119,1121],{"className":1120},[79],[81,1122],{"className":1123,"src":1124,"title":86,"frameBorder":87,"allow":391,"allowFullScreen":32},[84],"https:\u002F\u002Fwww.youtube.com\u002Fembed\u002FeuPZ60HPOMA",[11,1126,505],{},[189,1128,1129,1136,1138,1140],{},[192,1130,1131],{},[59,1132,1135],{"href":1133,"rel":1134},"https:\u002F\u002Fwww.canto-crudo.at\u002F",[63],"Guenther Rabl",[192,1137,1090],{},[192,1139,1093],{},[192,1141,1096],{},{"title":24,"searchDepth":25,"depth":25,"links":1143},[],"Audio plug-in","\u002Fworks\u002Fmedia\u002Fvenom.png",{},"\u002Fworks\u002Fvenom",{"title":1112,"description":1144},"works\u002Fvenom",[821,1106,710,944,941,1108],"https:\u002F\u002Fwww.waproduction.com\u002Fplugins\u002Fview\u002Fvenom","-MyHi3qxg9RgHTZQi5V8IrL_o0Ufc5PWV8kQPIBa4pQ",{"id":1154,"title":1155,"body":1156,"collaborators":27,"description":1205,"extension":29,"img":1206,"meta":1207,"navigation":32,"path":1208,"roles":27,"seo":1209,"stem":1210,"tags":1211,"type":44,"url":27,"year":1215,"__hash__":1216},"works\u002Fworks\u002Fmeat-transformer.md","Meat Transformer",{"type":8,"value":1157,"toc":1203},[1158,1161,1169,1171],[11,1159,1160],{},"Music-theatre-performance project, various incarnations from duo with laptop,\nvocals, and guitar to a full-blown live band.",[76,1162,1164],{"className":1163},[79],[81,1165],{"className":1166,"src":1167,"frameBorder":87,"allow":1168,"allowFullScreen":32},[84],"https:\u002F\u002Fwww.youtube.com\u002Fembed\u002FAlYNAktkxsY","accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture",[11,1170,505],{},[189,1172,1173,1180,1183,1186,1193,1200],{},[192,1174,1175],{},[59,1176,1179],{"href":1177,"rel":1178},"https:\u002F\u002Fwww.dieangewandte.at\u002Fjart\u002Fprj3\u002Fangewandte-2016\u002Fmain.jart?rel=de&reserve-mode=active&content-id=1458930944469&Pe-Id=5380",[63],"Robert Maierhofer",[192,1181,1182],{},"Sascha Müller",[192,1184,1185],{},"Daniel Müller",[192,1187,1188],{},[59,1189,1192],{"href":1190,"rel":1191},"https:\u002F\u002Fwww.triktronics.at\u002F",[63],"Klaus Trippl",[192,1194,1195],{},[59,1196,1199],{"href":1197,"rel":1198},"https:\u002F\u002Fwww.mdw.ac.at\u002Fimp\u002F?PageId=3819",[63],"Uli Permanschlager",[192,1201,1202],{},"Christoph Hausner",{"title":24,"searchDepth":25,"depth":25,"links":1204},[],"Live Music Act","\u002Fworks\u002Fmedia\u002Fmeat-transformer.png",{},"\u002Fworks\u002Fmeat-transformer",{"title":1155,"description":1205},"works\u002Fmeat-transformer",[710,40,1212,283,904,1213,1214],"stage design","Logic Pro","Guitar",2016,"fxt93o0xgqnTSgFUqtQ7bjY0G3_ARqVHWp4BJlevtO4",{"id":1218,"title":1219,"body":1220,"collaborators":27,"description":1235,"extension":29,"img":1236,"meta":1237,"navigation":32,"path":1238,"roles":1239,"seo":1243,"stem":1244,"tags":1245,"type":638,"url":27,"year":1215,"__hash__":1248},"works\u002Fworks\u002Fphenicx.md","PhenicX",{"type":8,"value":1221,"toc":1233},[1222,1225],[11,1223,1224],{},"PHENICX is a collaborative research project, partially funded by the European commission. In this project, academic researchers, music institutions, musicians and up-and-coming technology companies join forces. Our mission is to make use of all the richness around classical music: the sound you can hear, the players you can see. The characteristics of a piece, and the differences between multiple performances of the same piece. The background stories behind a piece, and the way it is perceived by different types of audiences. Through smart use of technology, we want to use this richness to build a whole new classical concert experience. A concert experience that can guide you through a performance, with information tailored to varying expertise levels. A concert experience that allows you to get an impression of a piece before a concert, enriches the experience during a concert, and lets you revisit the concert after it was played, allowing you to discover new things about it. A concert experience that even may initiate a social discussion based on your impressions and the impressions of other attendees. All of this is not meant to defy the traditional concert experience, but to offer you new engaging experiences on top of it.",[11,1226,1227,1228,103],{},"See also the PhenicX ",[59,1229,1232],{"href":1230,"rel":1231},"http:\u002F\u002Fphenicx.upf.edu\u002F",[63],"web site",{"title":24,"searchDepth":25,"depth":25,"links":1234},[],"EU-funded research project","\u002Fworks\u002Fmedia\u002Fphenicx.jpg",{},"\u002Fworks\u002Fphenicx",[1240,1241,1242],"Development of score-performance matching technology","Development of web-based music visualization technology","Development of realtime score following technology",{"title":1219,"description":1235},"works\u002Fphenicx",[1246,113,710,821,1247,941,943],"research","Python","mAQVu47-9uw0oiyGsnpDzH9WJAi0--3YOgZl1DMec6Y",{"id":1250,"title":1251,"body":1252,"collaborators":27,"description":1251,"extension":29,"img":1298,"meta":1299,"navigation":32,"path":1302,"roles":27,"seo":1303,"stem":1304,"tags":1305,"type":1306,"url":27,"year":1307,"__hash__":1308},"works\u002Fworks\u002Fai-concertgebouw.md","Artificial Intelligence in the Concertgebouw",{"type":8,"value":1253,"toc":1296},[1254,1257,1259],[11,1255,1256],{},"In this paper we present a real-world application (the first of its kind) of\nmachine listening in the context of a live concert in a world-famous concert\nhall – the Concertgebouw in Amsterdam. A real-time music tracking algorithm\nlistens to the Royal Concertgebouw Orchestra performing Richard Strauss’\nAlpensinfonie and follows the progress in the sheet music, i.e., continuously\ntracks the most likely position of the live music in the printed score.\nThis information, in turn, is used to enrich the concert experience for\nmembers of the audience by streaming synchronised visual content\n(the sheet music, explanatory text and videos) onto tablet computers\nin the concert hall. The main focus of this paper is on the challenges\ninvolved in tracking live orchestral music, i.e., how to deal with heavily\npolyphonic music, how to prepare the data needed, and how to achieve the\nnecessary robustness and precision.",[11,1258,505],{},[189,1260,1261,1268,1275,1282,1289],{},[192,1262,1263],{},[59,1264,1267],{"href":1265,"rel":1266},"https:\u002F\u002Fwww.andreas-arzt.com\u002F",[63],"Andreas Arzt",[192,1269,1270],{},[59,1271,1274],{"href":1272,"rel":1273},"https:\u002F\u002Fwww.jku.at\u002Fen\u002Finstitute-of-computational-perception\u002Fabout-us\u002Fpeople\u002Fharald-frostel\u002F",[63],"Harald Frostel",[192,1276,1277],{},[59,1278,1281],{"href":1279,"rel":1280},"https:\u002F\u002Fwww.jku.at\u002Finstitut-fuer-computational-perception\u002Fueber-uns\u002Fmitarbeiterinnen\u002Fthassilo-gadermaier\u002F",[63],"Thassilo Gadermaier",[192,1283,1284],{},[59,1285,1288],{"href":1286,"rel":1287},"https:\u002F\u002Fmaarten.grachten.eu\u002F",[63],"Maarten Grachten",[192,1290,1291],{},[59,1292,1295],{"href":1293,"rel":1294},"https:\u002F\u002Fwww.jku.at\u002Fen\u002Finstitute-of-computational-perception\u002Fabout-us\u002Fpeople\u002Fgerhard-widmer\u002F",[63],"Gerhard Widmer",{"title":24,"searchDepth":25,"depth":25,"links":1297},[],"\u002Fworks\u002Fmedia\u002Fconcertgebouw.jpg",{"pdfUrls":1300},[1301],"https:\u002F\u002Fwww.ijcai.org\u002FProceedings\u002F15\u002FPapers\u002F343.pdf","\u002Fworks\u002Fai-concertgebouw",{"title":1251,"description":1251},"works\u002Fai-concertgebouw",[1246],"research paper",2015,"joGgoYMzMPFUsVGiTYMy-woTsglh8f1AAZVqUIn8aEE",{"id":1310,"title":1311,"body":1312,"collaborators":27,"description":1343,"extension":29,"img":1344,"meta":1345,"navigation":32,"path":1346,"roles":27,"seo":1347,"stem":1348,"tags":1349,"type":44,"url":27,"year":1355,"__hash__":1356},"works\u002Fworks\u002Fbody-tweets.md","Body\u002FTweets",{"type":8,"value":1313,"toc":1341},[1314,1317],[11,1315,1316],{},"Live sonification of a Twitter live feed; keywords trigger granular synthesis from body noise.",[76,1318,1320,1325],{"className":1319},[79],[81,1321],{"className":1322,"src":1323,"frameBorder":87,"allow":1324,"allowFullScreen":32},[84],"https:\u002F\u002Fplayer.vimeo.com\u002Fvideo\u002F172708892","autoplay; fullscreen",[11,1326,1327,1331,1332,1336,1337,103],{},[59,1328,1330],{"href":1329},"https:\u002F\u002Fvimeo.com\u002F172708892","Body:Tweets"," from ",[59,1333,1335],{"href":1334},"https:\u002F\u002Fvimeo.com\u002Fuser13355697","Martin Gasser"," on ",[59,1338,1340],{"href":1339},"https:\u002F\u002Fvimeo.com","Vimeo",{"title":24,"searchDepth":25,"depth":25,"links":1342},[],"Interactive sonification experiment","\u002Fworks\u002Fmedia\u002Fbody-tweets.png",{},"\u002Fworks\u002Fbody-tweets",{"title":1311,"description":1343},"works\u002Fbody-tweets",[460,901,1350,1351,1352,1353,1354,941],"installation","visuals","Twitter","Supercollider","Cinder",2014,"03nZXLJGoaGQAryXVX4xZuNWCeH9Vs06uoY9Uy9InUU",{"id":1358,"title":1359,"body":1360,"collaborators":27,"description":1396,"extension":29,"img":1397,"meta":1398,"navigation":32,"path":1399,"roles":27,"seo":1400,"stem":1401,"tags":1402,"type":1306,"url":27,"year":1355,"__hash__":1403},"works\u002Fworks\u002Fclassical-music-web.md","Classical Music on the Web – User Interfaces and Data Representations",{"type":8,"value":1361,"toc":1394},[1362,1365,1367],[11,1363,1364],{},"We present a set of web-based user interfaces for explorative analysis and visualization of classical orchestral music and a web API that serves as a backend to those applications; we describe use cases that motivated our developments within the PHENICX project, which promotes a vital interaction between Music Information Retrieval research groups and a world-renowned symphony orchestra. Furthermore, we describe two real-world applications that involve the work presented here. Firstly, our web applications are used in the editorial stage of a periodically released subscription-based mobile app by the Royal Concertgebouw Orchestra (RCO) 1 , which serves as a contentdistribution channel for multi-modally enhanced recordings of classical concerts. Secondly, our web API and user interfaces have been successfully used to provide real-time information (such as the score, and explanatory comments from musicologists) to the audience during a live concert of the RCO.",[11,1366,505],{},[189,1368,1369,1374,1379,1384,1389],{},[192,1370,1371],{},[59,1372,1267],{"href":1265,"rel":1373},[63],[192,1375,1376],{},[59,1377,1274],{"href":1272,"rel":1378},[63],[192,1380,1381],{},[59,1382,1281],{"href":1279,"rel":1383},[63],[192,1385,1386],{},[59,1387,1288],{"href":1286,"rel":1388},[63],[192,1390,1391],{},[59,1392,1295],{"href":1293,"rel":1393},[63],{"title":24,"searchDepth":25,"depth":25,"links":1395},[],"Research paper that describes various possibilities to handle and visualize complex classical music data in  web-based environments.","\u002Fworks\u002Fmedia\u002Fcmotw.png",{},"\u002Fworks\u002Fclassical-music-web",{"title":1359,"description":1396},"works\u002Fclassical-music-web",[1246],"KNakK85iZh45lXGnG-ysNaSsphqZSZW9hyKUbgbIGT8",{"id":1405,"title":1406,"body":1407,"collaborators":27,"description":1445,"extension":29,"img":1446,"meta":1447,"navigation":32,"path":1448,"roles":27,"seo":1449,"stem":1450,"tags":1451,"type":44,"url":27,"year":1453,"__hash__":1454},"works\u002Fworks\u002Fbrainwash.md","Brainwash \u002F Gehirnwäsche",{"type":8,"value":1408,"toc":1443},[1409,1412,1419,1426,1428],[11,1410,1411],{},"Closed-circuit video installation, built from a deranged washing machine with a\nlittle help from a video camera, a Raspberry Pi, and a screen.",[76,1413,1065,1415],{"className":1414},[79],[81,1416,1065],{"src":1417,"className":1418,"frameBorder":87,"allow":1324,"allowFullScreen":32},"https:\u002F\u002Fplayer.vimeo.com\u002Fvideo\u002F204761873",[84],[76,1420,1065,1422],{"className":1421},[79],[81,1423,1065],{"className":1424,"src":1425,"frameBorder":87,"allow":1168,"allowFullScreen":32},[84],"https:\u002F\u002Fwww.youtube.com\u002Fembed\u002F1KG0YLNkUZc",[11,1427,505],{},[189,1429,1430,1437,1440],{},[192,1431,1432],{},[59,1433,1436],{"href":1434,"rel":1435},"https:\u002F\u002Fwww.anneglassner.at",[63],"Anne Glassner",[192,1438,1439],{},"Stefan Pomajbik",[192,1441,1442],{},"Dirk Budig",{"title":24,"searchDepth":25,"depth":25,"links":1444},[],"Modified washing machine","\u002Fworks\u002Fmedia\u002Fbrainwash-1.jpg",{},"\u002Fworks\u002Fbrainwash",{"title":1406,"description":1445},"works\u002Fbrainwash",[460,1452,84,1350,751],"hacking",2011,"hxpDvqXYy89AX9D2eBxYeW3kD7_OXlD5LJkIKGItt9w",{"id":1456,"title":1457,"body":1458,"collaborators":27,"description":1468,"extension":29,"img":1469,"meta":1470,"navigation":32,"path":1471,"roles":27,"seo":1472,"stem":1473,"tags":1474,"type":945,"url":27,"year":1478,"__hash__":1479},"works\u002Fworks\u002Fflower.md","Flower",{"type":8,"value":1459,"toc":1466},[1460],[11,1461,1462,1463,1465],{},"Dataflow-oriented C++ software framework for component-oriented development of realtime sound- and music-processing software. Heavily used in-house and as part of the ",[59,1464,1219],{"href":1238}," project.",{"title":24,"searchDepth":25,"depth":25,"links":1467},[],"A flow-based high-performance C++ data processing framework","\u002Fworks\u002Fmedia\u002Fflower.png",{},"\u002Fworks\u002Fflower",{"title":1457,"description":1468},"works\u002Fflower",[821,1246,941,1475,1476,1477],"dataflow","cross platform","embedded",2010,"7jgPpCSLAvTbbjQLxNdryMpg8XpAvID4nS2MiKX1w2A",{"id":1481,"title":1482,"body":1483,"collaborators":27,"description":1490,"extension":29,"img":1491,"meta":1492,"navigation":32,"path":1495,"roles":27,"seo":1496,"stem":1497,"tags":1498,"type":1500,"url":27,"year":1501,"__hash__":1502},"works\u002Fworks\u002Ffm4-soundpark.md","FM4 soundpark music recommender",{"type":8,"value":1484,"toc":1488},[1485],[11,1486,1487],{},"We present an application of content-based music recommendation techniques within an online community platform\ntargeted at an audience interested mainly in independent and\nalternative music. The web platform’s goals will be described, the problems of content management approaches\nbased on daily publishing of new music tracks will be discussed, and we will give an overview of the user interfaces\nthat have been developed to simplify access to the music\ncollection. Finally, the adoption of content-based music recommendation tools and new user interfaces to improve user\nacceptance and recommendation quality will be justified by\ndetailed user access analyses.",{"title":24,"searchDepth":25,"depth":25,"links":1489},[],"Integration of a content-based music recommendation system in the FM4 Soundpark","\u002Fworks\u002Fmedia\u002Fsoundpark.png",{"pdfUrls":1493},[1494],"http:\u002F\u002Fwww.ofai.at\u002Fcgi-bin\u002Fget-tr?download=1&paper=oefai-tr-2009-02.pdf","\u002Fworks\u002Ffm4-soundpark",{"title":1482,"description":1490},"works\u002Ffm4-soundpark",[821,113,1499,1247,941],"music similarity","R&D project",2009,"0_1tiMdZSxldEbyriV0Qdm1xtMONlq59XeZs_cja474",{"id":1504,"title":1505,"body":1506,"collaborators":1516,"description":1519,"extension":29,"img":1520,"meta":1521,"navigation":32,"path":1522,"roles":27,"seo":1523,"stem":1524,"tags":1525,"type":44,"url":27,"year":1527,"__hash__":1528},"works\u002Fworks\u002Fheartbeat.md","Heartbeat",{"type":8,"value":1507,"toc":1514},[1508,1511],[11,1509,1510],{},"People in love with each other claim to exhibit the \"same heartbeat\". The installation \"HeartBeat\" aims at detecting biological similarities among the ECG signals generated by two individuals, and by involving a complex mathematical model for similarity analysis. The degree of correspondence is used to express heartbeat harmony as a musical intonation, and to steer a large-format visualization. Out of pre-recorded heartbeats, visitors can find people \"matching\" their own heartbeat.",[11,1512,1513],{},"Exhibited at Ars Electronic 2005.",{"title":24,"searchDepth":25,"depth":25,"links":1515},[],[1517,1518],"Institute for Pervasive Computing, University Linz","Institute for Computational Perception, University Linz","Installation for Ars Electronica 2005","\u002Fworks\u002Fmedia\u002Fheartbeat.png",{},"\u002Fworks\u002Fheartbeat",{"title":1505,"description":1519},"works\u002Fheartbeat",[460,710,901,1526,1353],"biosignals",2005,"noTt7pRzQUetV2n2OF4t52VUi6WfRukqj6_TjdvSRNE",1791765913700]